Incident at Vichy, a one-act play by Arthur Miller, condenses and multiplies his usual sense of foreboding. It’s 1942 in Vichy France and an assorted group of suspected Jews and ‘asocials’ have been detained by Nazis in a makeshift prison. One hysterical young man has had his nose measured. The drip-drip-drip of rumours and panic start to build as the waiting game continues.
Miller’s play is a window into French deportations of Jews, which took place between 27th March 1942 and 17th August 1944. 77,000 deportees from France lost their lives at Nazi death camps or concentration camps, and 1/3 of these were official French citizens.
Half a century after its debut, Tom Stoppard’s Rosencrantz & Guildenstern Are Dead returns to The Old Vic. Things may have changed around these parts in the last fifty years – off the top of my head, there’s a branch of Byron down the road, and the price of theatre tickets has increased dramatically – but this play, just like its venue, remains sharp.
It famously lifts two minor characters from Shakespeare’s Hamlet, who we know end up dead, hence the non-spoiler-alert title, and tries to fathom how they met their fate. Was it just a case of really bad luck? Were they a bit dim? Was everyone out to get them from the start? Stoppard may not have all the answers, but he scrutinises their unfair side-lining by the Danish court, and gives them a chance to voice their side of the story. That is, if they even know what the story is. Or where they are. Or which one is which. In these ever more uncertain times, where we’re bombarded with cries of ‘fake news’, conspiracy theories and 24-hour coverage of distressing events, The Old Vic treats us to lines like ‘We are tied down to a language which makes up in obscurity what it lacks in style’. This could have easily described Donald Trump’s tweets, and not a key character’s philosophy on the language of acting.
Quill London is at the forefront of the local and national calligraphy scene, with a huge social following, a calligraphy workshop programme, pop-up projects and a physical store keeping up with customer demand.
I’ve chosen to test Quill’s entry-level course, the Beginners Modern Calligraphy Workshop (FYI, there’s no apostrophe). This is the perfect class for a novice because it’s only 2.5 hours long, so there’s no big commitment to make. The question is: can you actually pick up a new skill in less than half a day?
This is a post about a water mill in a cosy English village. Sounds pretty boring, right? Well, add a dose of Tom Hardy and a pinch of Ozzy Osbourne and things get more lively; Mapledurham water mill is perhaps the world’s most famous backdrop right now, thanks to TV, music and film.
The site, part of the Mapledurham Estate in Oxfordshire, was recently used as a filming location for the TV series Taboo, plus it appeared in the background of Black Sabbath’s self-titled album, released on Friday 13th February 1970. Now Black Sabbath have played their last ever gig, fans are craving a nostalgia fix.
In 2017 it will be 170 years since three Yorkshire sisters exploded onto the literary scene with their debut novels. Jane Eyre, Wuthering Heights and Agnes Grey are all classics, written under the same roof: the parsonage at Haworth, which is now the Bronte Parsonage Museum.
Anyone in search of Charlotte, Emily and Anne Brontë will have this museum on their wish list. Over 7 million visitors have traipsed through the door, despite a dip in visitor numbers in 2015. This is why they keep coming.
Brontës in Haworth
The Brontë family lived in Haworth from 1820-1861, having moved from Thornton so Patrick Brontë, the head of the family, could take up his position as curate of Haworth, Stanbury and Oxenhope. There were six Brontë children, but their mother Maria, followed by the two eldest children, Maria and Elizabeth, were all dead by 1825.
London is a museum lover’s dream, but there are always far too many high-profile exhibitions and permanent collections to choose from and, try as I might, I never get to see them all. Hidden London museums, in comparison, are usually cheaper and quieter to visit, yet they’re easily overlooked.
The thing is, those smaller and more obscure attractions don’t get an equal billing, and many tourists miss out on these underrated attractions. I’ve selected six of my favourite hidden London museums to redress the balance.
Yet again, Peruvian influences are spreading across London. It was only a few years ago that London’s food scene bagged itself Peruvian restaurants – all of which continue to draw crowds. One brand, Lima, has recently had a revamp, and two new restaurants have stepped into the fray since August.
Lima, based in Fitzrovia (31 Rathbone Place), added a much-needed extension and redesigned its dining spaces but also launched a new a la carte menu in November. The new dishes come with healthy twists, such as white and purple sweet potato added to main courses and an entire dessert menu free of refined sugar – yes, that is possible!
It’s not long now until Series 2 of Poldark hits our TV screens, bringing Winston Graham’s popular saga back into the forefront of our minds and making everyone long for a Cornish holiday (preferably with Aidan Turner, a.k.a. Ross Poldark, to feed us a cream tea).
Whilst a few of the filming locations fell outside Cornwall, I’m going to ignore those anomalies and focus on the gorgeous Cornish settings used to bring these local novels to life once again.
Both St. Breward and Minions village were used for their stark landscapes. This created the perfect mood for Ross Poldark’s family home, Nampara, and for the views between Nampara and Ross’ cousin’s estate. The crossroads in Minions ramped up the cinematic quality of these scenes, as did the rising sun at St. Breward as the backdrop to a duel.
Amid last year’s mental health scandals – including spending cuts, insensitive comments from politicians, and crisis care failures – there was a big step forward in tackling the stigma of psychological illness. It came from a newly-opened museum and charity: Bethlem Museum of the Mind, in Beckenham, Kent, recently nominated for the 2016 Museum of the Year award.
Yes, the name might sound familiar. Bethlem is the fourth site of the notorious hospital better known as Bedlam. You won’t find power-crazed doctors leaving patients in chains – a stereotypical mental image associated with the ‘madhouse’ of earlier centuries – but you will find a place where modern mental illness is explained. What’s more, entry is free, and it’s open to everyone.
Writing longhand seems like a guilty pleasure these days, but one stationery shop in Bristol makes it unashamedly cool again: Papersmiths.
This Clifton store offers a carefully curated selection of pens, notebooks, cards and accessories, not to mention a vast range of fashion and lifestyle magazines to rival those stocked by London’s best newsagents. I popped in during a quick trip to the city and, being a self-confessed stationery addict, I was quickly won over by most of the stock.
Brands in store range from the minimalist design-centric (Hay) to the infinitely quirky (Herb Lester travel guides). Visual merchandising is simple but effective, with pencils arranged in colour order, and copies of The Gentlewoman slotted between thick woollen rugs and bowls full of chunky erasers in the window, so you start to picture your own home gradually being transformed into a Papersmiths palace.