The Brighton Fringe is now in full swing until 4th June, and the Brighton Festival will be doing its usual artsy thing until 28th May, so the city is on a high.
If you’re a first-time visitor trying to see some entertainment, but wondering how to squeeze in some tourism on the side, help is at hand. You can absolutely see the city without missing out on niche Fringe shows, especially as many venues are right in the middle of the action.
The Classic Tourist Route for Brighton Fringe Visitors
If you’ve never been to Brighton before, you can’t ignore its most obvious tourist attractions: the Palace Pier (bright lights! Fish and chips! Out of control children!), the beach (pebbles! Hardy British swimmers! Sticks of rock, à la Brighton Rock!), and the Pavilion (cool domes! Really old! Once a hospital for injured WWI soldiers!).
The British Council has designated 2017 as the ‘UK India Year of Culture’, and there are loads of ways to celebrate, but many of them involve a trip to find India in London – perfect if you can’t afford a flight to Delhi just yet. Here are the key happenings to put on your itinerary, without leaving the UK.
Guards at the Taj, Bush Theatre, until 20th May
The Taj Mahal hasn’t lost any of its appeal since it was built in the 1600s – it’s still considered one of the world’s greatest buildings, and a must-see for anyone visiting northern India. However, the craftsmen and slaves used to create the Taj paid a high price for their part in the most beautiful building in the world, as Rajiv Joseph’s play reveals.
Incident at Vichy, a one-act play by Arthur Miller, condenses and multiplies his usual sense of foreboding. It’s 1942 in Vichy France and an assorted group of suspected Jews and ‘asocials’ have been detained by Nazis in a makeshift prison. One hysterical young man has had his nose measured. The drip-drip-drip of rumours and panic start to build as the waiting game continues.
Miller’s play is a window into French deportations of Jews, which took place between 27th March 1942 and 17th August 1944. 77,000 deportees from France lost their lives at Nazi death camps or concentration camps, and 1/3 of these were official French citizens.
‘All the world’s a stage’, but let’s remember that not all stages are equal. If you’ve sat through a performance in a cramped or strangely pungent space, you’ll know it can be quite distracting (unless you’re at the Edinburgh Festival Fringe, in which case it can be a selling point, and the smell of damp is strangely comforting).
On World Theatre Day, it’s time to take a look at theatre facts: some of the strangest pieces of trivia from theatreland, including the playwright who became President, and the ghost who was used as a mascot.
Half a century after its debut, Tom Stoppard’s Rosencrantz & Guildenstern Are Dead returns to The Old Vic. Things may have changed around these parts in the last fifty years – off the top of my head, there’s a branch of Byron down the road, and the price of theatre tickets has increased dramatically – but this play, just like its venue, remains sharp.
It famously lifts two minor characters from Shakespeare’s Hamlet, who we know end up dead, hence the non-spoiler-alert title, and tries to fathom how they met their fate. Was it just a case of really bad luck? Were they a bit dim? Was everyone out to get them from the start? Stoppard may not have all the answers, but he scrutinises their unfair side-lining by the Danish court, and gives them a chance to voice their side of the story. That is, if they even know what the story is. Or where they are. Or which one is which. In these ever more uncertain times, where we’re bombarded with cries of ‘fake news’, conspiracy theories and 24-hour coverage of distressing events, The Old Vic treats us to lines like ‘We are tied down to a language which makes up in obscurity what it lacks in style’. This could have easily described Donald Trump’s tweets, and not a key character’s philosophy on the language of acting.
It had me at ‘free tea and biscuits’. I’ve been to more museums than I can count in my 26 and 3/4 years, but never have I been offered a free cuppa and snacks as part of the deal… until now. Evidently, the Museum of Comedy isn’t your average tourist attraction, but the promise of a good old-fashioned English treat, alongside decades of authentic comedy memorabilia, worked wonders.
Based in a church undercroft between Tottenham Court Road and Holborn, this small but mighty two room venue covers the history of British comedy, from variety acts to TV sketch shows and stadium tours, and all that’s in between.
When I’m busy writing about far-flung city breaks or adventures abroad, I forget to shout about the sights on my doorstep here in Sussex. It’s high time this was resolved, especially as East and West Sussex have some really unusual attractions that need to be in the spotlight. From an Indian-inspired pavilion to a 15th century Chaucer text, these unique locations are certainly worth your time.
It started life as a small Saxon village, but today Arundel is a busy town, dwarfed by a cathedral and a huge castle that’s nearly 1,000 years old. Just along from the castle, you can hire a rowing boat at Swanbourne Lake, before checking out the Blackfriars ruins as you head back to the main streets.
The Edinburgh Festival Fringe is nearly upon us for another year – where does the time go? In fact, time is all too precious when you’re at the Fringe, and it can feel as though you need to be a logistics expert to pack as much into your day as possible.
However, taking a breather in between shows doesn’t have to involve lurking in the nearest Starbucks. Those tiny bits of free time can be maximised by doing something fun, unusual and also cheap.
Dine student-style in Southside – 30 mins
Nearby venues: Underbelly Med Quad (V302), BBC@Potterow (V25), Assembly George Square Theatre (V8).
Hermann Goering called it escape-proof… he was badly wrong. Colditz Castle has been immortalised in films, books, TV shows and even in a board game, as a place where brave Allied prisoners kept guards on their toes with pretty much constant escape attempts during WWII. Part tactical distraction, part desperation to get home, it was a full-time occupation for the men held here. I visited the castle to see inside the prisoners’ world, right down to their tunnelling tools and forged documents.
The Portuguese capital is associated with WWII spies and dimly lit cobbled streets, but at face value it would seem to be missing the deadly undertones of cities like Paris (bloody revolution, catacombs, the Père Lachaise Cemetery) or London (plague pits, the Great Fire, Jack the Ripper).
As with most major cities, there are the inevitable ghost stories associated with Lisbon, and the ghost tours that go hand in hand; it would be naive to say that death doesn’t have a global entertainment value. Last year there was even a play called Dark Tourism, devised by local dance and drama group Silly Season, staged in a theatre on Rua Garrett. But if you want something more concrete, more respectful, there are plenty of options – you just have to know where to find them.