The Portuguese capital is associated with WWII spies and dimly lit cobbled streets, but at face value it would seem to be missing the deadly undertones of cities like Paris (bloody revolution, catacombs, the Père Lachaise Cemetery) or London (plague pits, the Great Fire, Jack the Ripper).
As with most major cities, there are the inevitable ghost stories associated with Lisbon, and the ghost tours that go hand in hand; it would be naive to say that death doesn’t have a global entertainment value. Last year there was even a play called Dark Tourism, devised by local dance and drama group Silly Season, staged in a theatre on Rua Garrett. But if you want something more concrete, more respectful, there are plenty of options – you just have to know where to find them.
Lonely Planet describes the Chichester Festival Theatre (CFT) as ‘somewhat Soviet-looking’. However, the interior is definitely bang up to date, thanks to a £22 million renovation project affecting every part of the inner space, from the snazzy trap door in the stage to the 100 extra seats and the distinctive ceiling art in the cafe.
I took a free tour of the new layout, as part of the first Live Night, a special event aimed at theatregoers aged 16-25, which took place shortly before the evening’s performance of Amadeus.
Roman Holiday; La Dolce Vita; To Rome with Love. Notice a pattern? Rome has been the backdrop to plenty of international films since the 1950s, but it often becomes the accidental star of the show and continues to lure tourists who can’t wait to recreate the scenes for themselves.
You only have to head to the Trevi Fountain or the Bocca Della Verita and wait for the crowds of devotees to form (and don’t deny that you want to join in with them), looking to channel Anita Ekberg and Audrey Hepburn. 19th July saw the re-release of Roman Holiday at cinemas across the UK, making this the perfect time to indulge in a tour of the streets that made their way onto the screen.